Ashwini Ramaswamy’s dancing “weaves together the human and the divine.” -The New York Times Evoking mythography and ancestry, Let the Crows Come uses the metaphor of crows as messengers for the living and guides for the departed. This dance for three with live music explores how memory and homeland channel guidance and dislocation. Featuring Ramaswamy (Bharatanatyam technique), Alanna Morris-Van Tassel (Contemporary/Afro-Caribbean technique), and Berit Ahlgren (Gaga technique), Bharatanatyam dance is deconstructed and recontextualized to recall a memory that has a shared origin but is remembered differently from person to person. Composers Jace Clayton (dj/rupture) and Brent Arnold extrapolate from Prema Ramamurthy’s classical Carnatic (South Indian) score, utilizing centuries-old compositional structures as the point of departure for their sonic explorations. Let the Crows Come premiered in November 2019. 

Arizona Arts Live & Club Congress are thrilled to light up the Congress stage with a dynamic duo of modern solo songwriters. Elizabeth Goodfellow and Jillian Bessett both operate on the new frontiers of songwriting and instrumentation, composing and performing through unconventional means with beautiful results. Join us as these two extraordinary and innovative women explore new sonic landscapes. Beth Goodfellow’s singer-songwriter approach to the marimba was born out of a desire to write songs on a chordal instrument after drumming in other people’s bands. She bought a 1920s Deagan Marimba through Craigslist and began incorporating it into her original songs. When the pandemic hit in 2020 she spent the better part of eighteen months writing for voice and marimba from Tucson, AZ and her apartment in Los Angeles. The pandemic allowed her time to strip the marimba and vocal approach down to the basics and focus on writing two-minute songs that were intended to be stream-of-conscious with minimal rewrites. These songs were released in early 2021 as the band camp album “Hunting The Silence”. Beth’s writing for marimba also draws inspiration from the polyrhythmic counterpoint of minimalist composer Steve Reich. By building loops of marimba counterpoint she creates a uniquely meditative backdrop for her lyrics and vocals. Beth is a drummer, percussionist and vocalist based in Los Angeles and has recorded or toured with artists including Iron and Wine, boygenius, Madison Cunningham, Per Gessle, and Calexico. Jillian Bessett is a singer, songwriter and multi-instrumentalist based in Tucson, Arizona whose evocative lyrics and welcoming stage presence have endeared her to audiences throughout the southwest music scene. The keystone, however, is an instantly recognizable smoky alto voice that has prompted comparisons to Amy Winehouse, Feist, Nina Simone, and Adele. ​In 2014 Jillian released Electric Moon a stripped back solo endeavor which came in at #100 on KXCI’s Top 100 Albums of The Year. A full band filled out her next release with 2016’s Mr. Airplane. Jillian and the Giants–aptly named for their giant electric sound and stature– gigged furiously and put out two beautiful music videos for the singles “Mr. Airplane” and the locally loved “Chicago.” Mr. Airplane has over 58K streams on Spotify and came in at #19 on KXCI’s Top 100 Albums of the Year. Jillian is currently writing music and gigging with her new favorite instrument the Boss RC-505 Looping Station. Watch her use it here.​

…their expressiveness was as moving as it was breathtaking-The Wall Street Journal Stravinsky’s The Rite of Spring has inspired dances and ballets for over 100 years, but never circus – until now. See the bodies of 10 fearless acrobats – highlighted by a technically and artistically stunning lighting design – hurl, twist, and collide in an electrifying explosion of physicality and power. These performances also feature a stirring new composition by Phillipe Bachman that pairs with Stravinsky’s classical music masterpiece. In this first-ever circus setting of The Rite of Spring, CIRCA weaves together powerful acrobatics with poetic tenderness and raw emotion – penetrating the senses and stirring the soul. Seen by over one million people in 40 countries, the Australia-based performance troupe, CIRCA, is at the forefront of contemporary circus, leading the way with a diverse range of thrilling creations. Under the direction of circus visionary Yaron Lifschitz, CIRCA features an ensemble of exceptional, multi-skilled circus artists.  CIRCA is a regular fixture at leading festivals and venues in New York, London, Berlin, and Montreal with seasons at Brooklyn Academy of Music, The Barbican Centre, Les Nuits de Fourvière, Chamäleon Theatre as well as major Australian Festivals.